This summer time I visited The Metropolitan Museum of Artwork in New York Metropolis, and what I discovered have been some absolute items. Oh, they thic thicc.
All About That Bass
I like Renaissance levade.
Don Gaspar de Guzmán (1587–1645), Depend-Duke of Olivares Juan Bautista MartÃnez del Mazo, Spanish, ca. 1636 or later. Picture by Amanda Uechi Ronan.
Wolf and Fox Hunt, Peter Paul Rubens, Flemish, ca. 1616. Picture by Amanda Uechi Ronan.
Horse attributed to Francesco Allegrini, Italian, 1624–63. Public Area.
Bonita Applebum
Booties sufficiently big for a gooseneck hitch… apparently.
Crupper Plate, Presumably Flemish or German, early sixteenth century. Public Area.
Armor for Man and Horse Presumably Made for Baron Pankraz von Freyberg (1508–1565), Armorer Wolfgang Grosschedel German, man’s armor, ca. 1535–40; horse armor, dated 1554; saddle steels, later restorations. Picture by Amanda Uechi Ronan.
Gotta Blame It On That Juice
They know they cute. They’re the pudding within the proof.
The Chariot of Aurora, Giovanni Battista Tiepolo, Italian, 1760s. Picture by Amanda Uechi Ronan.
Bronze horse, Greek, Corinthian, eighth century BCE. Public Area.
Horse Figurine, Ptolemaic Interval, 306–30 B.C. Public Area.
Evening-Shining White, Han Gan Chinese language, ca. 750. Public Area.
Horse and groom, Unidentified artist, sixteenth century. Public Area.
Go using.
Amanda Uechi Ronan is an equestrian, writer, and wannabe race automotive driver. Observe her on Instagram @amanda_uechi_ronan.
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